Live sound gear can be intimidating, but Yamaha’s new EMX5016CF Powered Mixer takes the confusion out of setting up a professional-sounding live music experience. This 16-channel stereo powered mixer, which includes two 500-watt amplifiers, is ideal for bands, churches and small rental applications. The EMX5016CF delivers the convenience of an integrated powered mixer with input capacity, flexible features, and solid sound that critical live sound applications demand.
It is remarkably compact and portable for a live sound system with this much capability, but offers performance and reliability that will satisfy the discerning professional user either on the road or in installed applications. And thanks to leading Yamaha digital technology, the EMX5016CF also includes a number of innovations that make it easier than ever to achieve top-class sound in just about any venue. An impressive power output of 500 watts per channel means it can handle fairly large audiences, indoors or out. The EMX5016CF goes considerably beyond the standard definition of “powered mixer,” entering the realm of serious sound reinforcement.
Versatile 16-Input Configuration Adapts to Varied Source Requirements
The EMX5016CF has a total of 16 input channels – eight for monaural microphone or line input plus four stereo pairs. The stereo channel pairs can function either as monaural microphone inputs or stereo line inputs. This system gives you extra microphone inputs if your sources are mostly microphones, or if you need to handle more stereo sources the EMX5016CF will comfortably handle four pairs in addition to eight monaural microphone or line inputs. Switchable phantom power is provided for all microphone inputs.
Advanced Channel EQ
3-band EQ is available on all input channels, but extra versatility is provided on the eight mono channels with mid-frequency sweep controls. The mid EQ center frequency can be continuously swept from 250 Hz through 5 kHz so you can precisely pinpoint frequencies in the critical midrange that require compensation, providing significantly enhanced equalization potential.
Ample I/O for Expansion and Integration
All you need to create a powerful, high-performance live sound system is the EMX5016CF, a pair of speakers or two, and your sources. But it does feature a range of inputs and outputs that allow it to be expanded with external gear or integrated into larger systems. Insert patch points on the mono input channels, for example, let you add outboard signal processing to individual input channels. And although you have all the monitor power and effects you’re likely to need built in, external AUX and EFFECT sends allow you to route the mixer’s signals to external signal processing and/or monitor systems as required. Stereo out, stereo sub-out, and record outputs are also provided.
One-knob Compression On Mono Channels
The EMX5016CF features compressors on all monaural microphone/line channels that can help to make vocals ride the mix better, give you that smooth compressed guitar sound, deliver more punchy bass, and generally refine your mixes in a multitude of ways. These unique one-knob compressors are surprisingly simple to use. There are no multiple attack, threshold, makeup gain, and other controls – just set the COMP control to the amount of compression you need.
9-band Digital Graphic EQ with Presets & Memory
This advanced digital 9-band stereo graphic equalizer goes way beyond conventional analog types with a refined control interface, instant-recall presets, and user memory locations. It also works with the console’s innovative Frequency Response Correction system (see below) for unprecedented response-shaping control. Of course you can manually adjust each band as required from scratch, but you can also use one of the presets – VOCAL, DANCE, or SPEECH – as a starting point and edit from there. You also have three user memories into which you can store your own EQ curves for instant recall whenever needed.
FRC (Frequency Response Correction) System
Setting a live sound system’s output equalizer to optimally match room response is normally a complicated process requiring noise generators, calibrated microphones, real-time analyzers, and a great deal of time and experience. The EMX5016CF handles the entire process automatically, using either pink noise or a recorded music source you supply. To precisely match the system’s response to the room you’re in all you need to do is set up a microphone in an appropriate location, connect it to channel 1, press MEASURE/CORRECT once to make the measurement, and then again to automatically set the graphic equalizer for optimized response. The EQ setting can then be stored in one of the user memories for later recall if needed.
Automatic Feedback Suppression
Although the graphic equalizer can be used for feedback control, the EMX5016CF provides a Feedback Suppressor system that is dedicated to the job. The Feedback Suppressor works by detecting feedback frequencies on the stereo bus and applying precise notch filters to eliminate the feedback. The Feedback Suppressor has an AUTO mode that automatically keeps track of and attenuates feedback frequencies for you, and a sensitive manual mode that lets you pinpoint and attenuate feedback points one by one.
The EMX5016CF “Maximizer” is an advanced 3-band compressor that can be applied to the stereo bus for a more punchy “up-front” overall sound. Simply press the MAXIMIZE switch to instantly give the mix more presence and impact without sacrificing musical subtlety.
Dual Yamaha SPX Effect Processors
The EMX5016CF includes not one but two top-performance Yamaha SPX digital effect processors built in! You might only need ambience effects such as reverb and delay for live sound applications – and the EMX5016CF includes some of the finest reverb and delay effects available – but if you need other effects as well they’re right at your fingertips, and you can use two different effects simultaneously. Each effect processor offers a selection of 16 top-quality effects including reverb, echo, chorus, flanger, phaser, and even distortion, with editable parameters that allow you to customize each effect.
Dual AUX Sends
AUX 1 and AUX 2 send controls with pre/post fader switching adjust the level of the channel signal sent to the auxiliary buses for monitoring or external effects send. The availability of two AUX sends provides considerable flexibility for effect and monitor routing. You could, for example, use the channel EFFECT controls to control send level to the internal SPX effect processor while using AUX 2 to feed an external effects unit, and AUX 1 to feed a stage monitor system.
Other Pro-class Features
Gain controls and 26-dB pad switches allow optimum level matching with just about any source. 80-Hz high pass filters for elimination of unwanted low frequency noise and rumble. Channel ON switches let you switch individual channels into or out of the mix. Pan control adjusts the position of mono channel signals in the stereo sound field, while balance controls on stereo channels control the balance of the stereo image. High-quality linear faders individually adjust the level of each channel. PFL (pre-fader listen) switches allow isolated monitoring of individual channels. All input channels feature signal and peak indicators for visual signal monitoring. Linear AUX 1, AUX 2, EFF1 RTN and EFF2 RTN faders with PFL (pre-fader listen) switches on the effect returns and AFL (after-fader listen) monitor switches on the auxiliary returns. Stereo master fader with both PFL and AFL monitor switches. Yamaha Speaker Processing delivers enhanced lows and high-end smoothness with Yamaha Club-series speakers. Limiter indicators tell you when the internal limiter circuitry has been activated due to power amplifier overload. Power Amp mode selector allows two-channel power amplifier to be quickly configured for Main Main, Mono Aux 1, or Aux 1 Aux 2 operation. Power amplifier output selector allows selection of 500, 200, or 75 watt output per channel. Stand-by switch instantly mutes all mono inputs. Precise 12-segment stereo level meter. Phones jack with independent level control. High-quality SPEAKON speaker connectors for fast, reliable connection. Rack mountable with the optional RK5014 rack-mount kit. Console lamp connector accepts standard 3-pin XLR-connector gooseneck lamp (optional, 12 volts DC, 5 watts max).
|Mixing capability||Mixing channels||8 Mono 4 Stereo 2 Return|
|AUX||4 (incl. 2x Effect Send)|
|Input channel functions||CH1-8: HPF, Compressor, 3-band mid-sweep PEQ Insert I/O; CH9-16: HPF, 3 band PEQ|
|On-board processors||2x SPX, 2x Digital 9-band GEQ, Feedback suppressor, Frequency response correction, Maximizer, YSProcessing|
|Phantom power||48V DC; ON/OFF|
|Line inputs||4x Stereo|
|Control and others||2x Foot switch, Lamp|
|On-board amplifiers||Maximum output power @4ohms||500W/ch|
|Maximum output power @8ohms||370W/ch (100V model), 350W/ch (120V model), 320W/ch (220-240V model)|
|Output selection||500W, 200W, 75W; L/R, AUX1/MONO, AUX1/AUX2|
|Total harmonic distortion||Less than 0.3%|
|Frequency response||0, 0, -3dB 20Hz-20kHz|
|Hum & noise level||Equivalent input noise||-128dBu|
|Residual output noise||-68dBu (Speaker out); -95dBu (Line out)|
|Protection circuit||Load protection||Power switch on/off mute, DC-fault (power supply shutdown/manual reset), Clip limiter (≧THD 1%; compression)|
|Amplifier protection||Thermal (heatsink temp ≧90 degrees celsius; output mute/auto reset), Vl limiter (RL ≦2ohms)|
|Power supply protection||Thermal (heatsink temp ≧100 degrees celcius; power supply shutdown/manual reset)|
|Cooling||2x Variable-speed fan|
|Power requirements||Depend on area of purchase; AC100V, 120V or 220-240V; 50/60Hz|
|D||493mm; 19-7/16 (12U)|
|Net weight||11kg; 24.3lbs|
|Accessories||Owner’s Manual, AC power cord|
|Input terminal||PAD||GAIN||Actual load impedance||For use with nominal||Input level||Connector|
|Sensitivity||Nominal||Max. before clip|
|CH INPUT A 1-8||0dB||-60dB||3kohms||50-600 ohm Mics||-80dBu||-60dBu||-40dBu||XLR-3-31 type *3|
|CH INPUT B 1-8||0dB||-60dB||10kohms||600ohm Lines||-80dBu||-60dBu||-40dBu||TRS phone jack|
|ST CH MIC INPUT
|-60dB||3kohms||50-600 ohm Mics||-80dBu||-60dBu||-40dBu||XLR-3-31 type|
|ST CH LINE INPUT
|-34dB||10kohms||600ohm Lines||-54dBu||-34dBu||-14dBu||Phone jack,
RCA pin jack
|CH INSERT IN (1-8)||–||10kohms||600ohm Lines||-20dBu||0dBu||20dBu||Phone jack|
* 0dBu= 0.775Vrms
|Output terminal||Actual source impedance||For use with nominal||Output level||Connector|
|Nominal||Max. before clip|
|ST OUT [L,R]||150ohms||600ohm Lines||4dBu||20dBu||TRS phone jack|
|ST SUB OUT [L,R]||150ohms||600ohm Lines||4dBu||20dBu||TRS phone jack|
|AUX SEND 1,2||150ohms||600ohm Lines||4dBu||20dBu||TRS phone jack|
|EFFECT SEND 1,2||150ohms||600ohm Lines||4dBu||20dBu||TRS phone jack|
|CH INSERT OUT 1-8||600ohms||10kohm Lines||0dBu||20dBu||TRS phone jack|
|REC OUT [L,R]||600ohms||10kohm Lines||-10dBV||10dBV||RCA pin jack|
|PHONES [L,R]||100ohms||40ohm Lines||3mW||75mW||ST phone jack|