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- Portable PA system
- 680W (340W 340W) power output
- Newly designed high quality speakers
- Detachable 10-channel mixer (4 mic)
- iPod/ iPhone USB connection
- One-knob master EQ™ with virtual bass boost
- High resolution SPX digital reverbs
- Onboard feedback suppressor
- Great-sounding 3-band channel EQ
- Switchable stereo/ mono inputs
- Phantom power
- Monitor and Subwoofer outputs
680-watt, portable PA system with 10-channel powered mixer, two 10″ speakers, iPod/iPhone USB connection, SPX digital reverbs, an onboard feedback suppressor and versatile EQ.
- 680W (340W 340W) power output
- Newly designed high quality speakers (LF:10″ woofer/ HF:1.4″ voice coil compression driver)
- Detachable 10-channel mixer (4 mono mic/line 6 mono / 3 stereo line)
- iPod/ iPhone USB connection
- One-knob master EQ™ with virtual bass boost
- High resolution SPX digital reverbs (4 types, parameter control)
- Onboard feedback suppressor
- Great-sounding 3-band channel EQ
- Switchable stereo/ mono inputs
- Hi-Z (high impedance) inputs
- Phantom power
- Monitor and Subwoofer outputs
- Optional reverb footswitch
Ultimate portability
Compact and light enough to carry by hand, STAGEPAS is an all-in-one PA system that you can take literally anywhere. The two lightweight speakers and a detachable mixer, along with one pair of speaker cables and a power cord, combine into an attractive, compact package that provides the kind of portability that no roadie would ever dare to dream of.
Fast and easy set-up
With its intuitive, simple design, STAGEPAS can be set up and ready to go in a matter of seconds. Even users with no PA operation experience will be able to produce high-quality sound in under a minute.
A PA for any occasion
Flexible enough to be used in a truly impressive range of environments and applications, STAGEPAS systems can be set up in a variety of PA and monitoring configurations.
The new STAGEPAS was designed to offer high quality sound, simply and quickly to let you do what you do best. Whether you’re giving a speech or playing a gig, STAGEPAS is equipped with intelligent new features that provide simple, intuitive control of optimized settings, making it easy to dial in your perfect sound in a matter of seconds.
iPod/ iPhone digital connection
Enjoy high-quality playback while also charging your iPod/ iPhone so you never have to worry about a drained battery messing with your performance.
SPX digital reverb
One knob gives you access to four different high-quality reverb settings, perfect for vocals and acoustic instruments. Simply turn the knob to change the reverb type and time, and then you’re ready to apply just the right amount of high-resolution effect to each channel.
1-Knob Master EQ™
This new function gives you instant mastery of your mix, allowing you to match your sound to your surroundings. Simply turn the knob to optimize the EQ for speaking engagements, musical performances, or just to kick in more bass; getting your sound right has never been so easy.
Feedback suppressor
Avoid the uncomfortable feedback that plagues so many sound reinforcement novices and professionals alike. Usually found only on high-end gear, this intelligent function removes feedback automatically with the push of a button, giving you a clear, professional sound.
Equipped with 10 channels or 8 channels respectively, the STAGEPAS 600i and 400i offer versatile connectivity, comprehensive channel functions, and seamless expandability that meet the growing demands of a wider range of applications and environments.
New STAGEPAS Mixer
– Channel EQ
Assign detailed EQ settings to each channel for precise management of your final sound. Great sounding 2-band EQ on the STAGEPAS 400i and more flexible 3-band EQ on the 600i make setup easy and precise. Vocal and guitar performances especially will benefit from newly added mid-range control on 600i.
– Hi-Z switch
Connect acoustic-electric guitars and basses to enjoy high-quality performance with low distortion. Passive pickup instruments can be connected hassle-free, without a direct box.
– Switchable stereo/mono inputs
A versatile new feature that allows you to transform each stereo channel input into two independent mono inputs, giving you the flexibility to adapt to the needs of a broad range of performance requirements.
– Phantom power
Connect condenser microphones directly to STAGEPAS to get the best sound quality possible. Phantom power also means you won’t have to worry about DI boxes losing their charge during a performance.
– Reverb footswitch
For hands-free control of your reverb, connecting an optional footswitch allows you to turn the reverb on and off instantly—perfect for MC-ing events or speaking during solo performances.
– Monitor out
Expand your front-of-house system or set up a monitoring system by using the STAGEPAS together with other powered speakers such as Yamaha’s DXR lineup.
– Subwoofer out
Add more bottom end to your system by connecting a powered subwoofer such as the Yamaha DXS Series. Simply plugging in a subwoofer will assign a high-pass filter to the STAGEPAS speakers automatically.
By combining new high-efficiency amplifiers, newly designed speakers and high performance DSP, the new STAGEPAS delivers a significant increase in power output, with substantial improvements in sound quality and reliability
More power. More possibilities.
Delivering 680 and 400 watts of power respectively, the STAGEPAS 600i and 400i offer a major boost in performance, allowing you to meet the demands of a wider range of situations.
New speaker design for an increased coverage area
The new speaker design lets you deliver evenly-distributed, high-quality sound to a greater coverage area, so that the entire audience shares the same sonic experience.
Intelligent DSP for peak performance that lasts
STAGEPAS utilizes digital signal processing (DSP) to offer the consistently high-quality, distortion-free sound at any volume level, whether you’re giving a business presentation or cutting loose in a club. What’s more, Yamaha’s intelligent DSP incorporates the use of advanced limiter circuits to protect vital STAGEPAS components, ensuring that you get the most out of your gear for years to come.
Model | STAGEPAS 400i | STAGEPAS 600i | |||||
---|---|---|---|---|---|---|---|
System Type | Powered mixer with 2 passive speakers | ||||||
Maximum SPL (*Maximum SPL) | 125dB SPL / speaker | 129dB SPL / speaker | |||||
Frequency Range (-10 dB) | 55Hz – 20kHz | 55Hz – 20kHz | |||||
Power Consumption | 30W (Idle), 70W (1/8 Power) | 35W (Idle), 100W (1/8 Power) | |||||
Power Requirements | 100V – 240V 50Hz/60Hz | ||||||
Dimentions (W x H x D) | Speaker 289x472x275mm, Mixer 308x180x116mm | Speaker 335x545x319mm, Mixer 348x197x135mm | |||||
Net Weight | 17.8kg / 39.2lbs (2 x Speaker 7.5kg Mixer 2.8kg) | 25.4kg / 56lbs (2 x Speaker 10.8kg Mixer 3.8kg) |
Powered Mixer
Model | STAGEPAS 400i | STAGEPAS 600i | |||||
---|---|---|---|---|---|---|---|
Mixer | Mixing channels | 8 | 10 | ||||
Analog inputs | 4 mono mic/line 4 mono / 2 stereo line | 4 mono mic/line 6 mono / 3 stereo line | |||||
Digital inputs | USB Audio IN: iPod/iPhone exclusive | ||||||
Channel EQ | 2-band (HIGH Shelving: 8kHz, LOW Shelving: 100Hz) | 3-band (HIGH Shelving: 8kHz, MID peaking: 2.5kHz, LOW Shelving: 100Hz) | |||||
Channel functions | Hi-Z switch: CH4, ST/MONO switch: CH5/6-7/8 | Hi-Z switch: CH4, ST/MONO switch: CH5/6-9/10 | |||||
Digital effects | SPX digital reverb (4 program, parameter control) | ||||||
Output processing | Feedback suppressor, 1-Knob Master EQ™ | ||||||
Phantom power | 30V (CH1, 2) | ||||||
Outputs | SPEAKERS OUT (L, R), MONITOR OUT (L/MONO, R), SUBWOOFER OUT (MONO) with auto HPF | ||||||
Control and others | Reverb foot switch | ||||||
Built-in Amplifiers | Power Rating (Dynamic) | 400W (200W 200W) | 680W (340W 340W) | ||||
Power Rating (Continuous) | 360W (180W 180W) | 560W (280W 280W) |
Speaker
Model | STAGEPAS 400i | STAGEPAS 600i | |||||
---|---|---|---|---|---|---|---|
Type | Two-way bass-relfex speakers | ||||||
Transducers | LF: 8” (20cm) cone, HF: 1” (2.54cm) voice coil compression driver | LF: 10” (25cm) cone, HF: 1.4” (3.56cm) voice coil compression driver | |||||
Coverage Angle (Horizontal x Vertical) | 90° x 60° | ||||||
Floor Monitor Angle | 50° | ||||||
Handle | 1 x Top | ||||||
Pole socket | 34.8-35.2mm pole socket with StageLok™ |
Accessories
Model | STAGEPAS 400i | STAGEPAS 600i | |||||
---|---|---|---|---|---|---|---|
Included Accessories | Cover panel, Power cord (2m), 2xSpeaker cables (6m), 12xNon-skid pads | ||||||
Optional Accessories | Yamaha BMS10A (mic stand adaptor) for mixer mount, FC5 (foot switch) for reverb ON/OFF |
Input Characteristics
STAGEPAS400i
Input Terminals | MIC/LINE | Input Impedance |
Source Impedance |
Input Level | Connector Type |
|||
---|---|---|---|---|---|---|---|---|
Sensitivity | Nominal | Max. before Clipping |
||||||
CH IN 1-2 | XLR | MIC | 3 kΩ | 150 Ω Mics | -56 dBu | -35 dBu | -10 dBu | XLR-3-31 |
LINE | -30 dBu | -9 dBu | 16 dBu | |||||
CH IN 3-4 | XLR | MIC | 3 kΩ | 150 Ω Mics | -56 dBu | -35 dBu | -10 dBu | XLR Combo |
LINE | -30 dBu | -9 dBu | 16 dBu | |||||
Phone | MIC | 10 kΩ (Hi-Z 1 MΩ) |
150 Ω Lines (Hi-Z 10 kΩ) |
-50 dBu | -29 dBu | -4 dBu | ||
LINE | -24 dBu | -3 dBu | 22 dBu | |||||
CH IN 5/6 | Phone | – | 10 kΩ | 150 Ω Lines | -24 dBu | -3 dBu | 22 dBu | Phone* |
Pin | – | 10 kΩ | 150 Ω Lines | -24 dBu | -3 dBu | 22 dBu | RCA Pin | |
CH IN 7/8 | Phone | – | 10 kΩ | 150 Ω Lines | -24 dBu | -3 dBu | 22 dBu | Phone* |
Mini | – | 10 kΩ | 150 Ω Lines | -24 dBu | -3 dBu | 22 dBu | Stereo Mini |
STAGEPAS600i
Input Terminals | MIC/LINE | Input Impedance |
Source Impedance |
Input Level | Connector Type |
|||
---|---|---|---|---|---|---|---|---|
Sensitivity | Nominal | Max. before Clipping |
||||||
CH IN 1-2 | XLR | MIC | 3 kΩ | 150 Ω Mics | -56 dBu | -35 dBu | -10 dBu | XLR-3-31 |
LINE | -30 dBu | -9 dBu | 16 dBu | |||||
CH IN 3-4 | XLR | MIC | 3 kΩ | 150 Ω Mics | -56 dBu | -35 dBu | -10 dBu | XLR Combo |
LINE | -30 dBu | -9 dBu | 16 dBu | |||||
Phone | MIC | 10 kΩ (Hi-Z 1 MΩ) |
150 Ω Lines (Hi-Z 10 kΩ) |
-50 dBu | -29 dBu | -4 dBu | ||
LINE | -24 dBu | -3 dBu | 22 dBu | |||||
CH IN 5/6 | Phone | – | 10 kΩ | 150 Ω Lines | -24 dBu | -3 dBu | 22 dBu | Phone* |
CH IN 7/8 | Phone | – | 10 kΩ | 150 Ω Lines | -24 dBu | -3 dBu | 22 dBu | Phone* |
Pin | – | 10 kΩ | 150 Ω Lines | -24 dBu | -3 dBu | 22 dBu | RCA Pin | |
CH IN 9/10 | Phone | – | 10 kΩ | 150 Ω Lines | -24 dBu | -3 dBu | 22 dBu | Phone* |
Mini | – | 10 kΩ | 150 Ω Lines | -24 dBu | -3 dBu | 22 dBu | Stereo Mini |
0 dBu=0.775 Vrms, 0 dBV=1 Vrms Phone*: Unbalanced
Output Characteristics
STAGEPAS400i
Output Terminals | Output Impedance |
Load Impedance |
Output Level | Connector Type |
|||
---|---|---|---|---|---|---|---|
Nominal | Max. before Clipping |
Typ at THD N 10% |
Dynamic | ||||
SPEAKERS OUT [L,R] | <0.1 Ω | 4Ω Speakers | – | – | 180 W | 200 W | Phone* |
MONITOR OUT [L,R] | 600 Ω | 10 kΩ Lines | 4 dBu | 20 dBu | – | – | Phone* |
SUBWOOFER OUT | 150 Ω | 10 kΩ Lines | -3 dBu | 17 dBu | – | – | Phone* |
STAGEPAS600i
Output Terminals | Output Impedance |
Load Impedance |
Output Level | Connector Type |
|||
---|---|---|---|---|---|---|---|
Nominal | Max. before Clipping |
Typ at THD N 10% |
Dynamic | ||||
SPEAKERS OUT [L,R] | <0.1 Ω | 4Ω Speakers | – | – | 280 W | 340 W | Phone* |
MONITOR OUT [L,R] | 600 Ω | 10 kΩ Lines | 4 dBu | 20 dBu | – | – | Phone* |
SUBWOOFER OUT | 150 Ω | 10 kΩ Lines | -3 dBu | 17 dBu | – | – | Phone* |
0 dBu=0.775 Vrms, 0 dBV=1 Vrms Phone*: Unbalanced
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