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Allen & Heath GL2800 Zoom

Allen & Heath GL2800 32

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Dual function live sound console

  • 32 inputs

  • 8 Group, 10 Aux, LRM mix 

  • Enhanced 12x4 matrix 

  • 4 mute groups and true stereo IEM capability 

  • 2 dual stereos

  • Includes external PSU - RPS11

Allen and Heath

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Product Description


Allen & Heath GL2800 32

Dual function live sound console
32 inputs
8 Group, 10 Aux, LRM mix
Enhanced 12x4 matrix
4 mute groups and true stereo IEM capability
2 dual stereos

Dual Functionality:
We have taken our pioneering dual functionality a leap further with new capability for multi-output and personal monitor mixing. 10 Auxes include a dedicated stereo aux for creating stereo recording or monitor feeds, or new applications such as sending to a mix of two reverbs. As a monitor console, you get up to 14 mixes such as 8 wedges and 3 stereo IEM, complete with dedicated engineer’s monitor using the M fader. With up to 56 input channels you can handle any festival or gig at FOH or on stage with no controls redundant in any mode.

Our new 74dB range, extended headroom mic preamp can handle the widest range of signals you are ever likely to encounter. Switch between XLR mic and TRS line sources, or plug into the XLR only to handle mic or line level stage sources up to a massive +34dBu. From the new low-noise mix amp through responsive 4 band EQ to the differential balanced +26dBu outputs, with its individual card and solid copper bar grounding, every stage has been carefully designed to ensure optimum gain structure and the best sonic performance possible.

12x4 Matrix:
A matrix with such capability is a major addition to any console at this price point. Fed from the 8 groups and L, R and M mixes, each matrix includes an external trimmable input with smart auto-switching to accept common mono, stereo or independent sources. Use just two standard jack cables to patch across from the stereo channel mic preamps to add stereo ambience to two stereo recording or monitor mixes. Nothing is wasted as the stereo channels may still be used as returns or line inputs. In monitor mode, the matrix provides a quick way to create studio quality IEM mixes with ambience and ‰more me? control. You even get matrix talkback and mono or stereo monitoring, perfect for keeping in touch with the performers.

Stereo Capability:
Responding to the demands of modern mixing, the GL2800 is equipped with plenty of stereo functionality. Aux 9-10 has dedicated level and pan control complete with mute and stereo monitoring. Listen to the matrix in mono or stereo, create an LCR mix from the LR and M buses, and add no fewer than 6 stereo line sources using the full feature stereo channels and 2 extra short fader dual stereo returns in the master section.

A well equipped Toolbox:
Engineers will be pleased to discover the many thoughtful touches that make the GL2800 a joy to use. Take for example, the recessed channel pre/post-EQ switches, the 3 headphones outputs including a small jack earpiece socket, the talk latch mode for using a switched handheld talkback mic, the built-in oscillator / pink noise generator with patchable output, extensive metering and much more™


Additional Information

Additional Information

Manufacturer Allen and Heath

24, 32, 40, 48 and 56 channel frames 
LR and M mix buses 
8 Audio groups with pan and routing to LR and M 
10 Auxes including a dedicated stereo send 
2 multifunction stereo channels each with mic and stereo line inputs 
2 dual stereos provide an extra 4 summed or independent stereo returns 
Fully featured 12x4 Matrix 
Proper dual functionality for FOH/Monitor mixing 
Recording capable with channel direct outputs 
M can be used for LR mono sum, engineers wedge, or centre/sub mix 
Matrix external inputs with level trims and common input capability 
Stereo channel mic inputs can cross patch into matrix for ambience feed 
Responsive 4 band, 2 sweep EQ 
100Hz channel high pass filters 
Individual phantom power and polarity switching 
Wide angle channel and master meters 
Dedicated stereo monitor meters 
Per channel pre/post fader aux switching for full flexibility 
Recessed pre/post-EQ aux switching per channel 
Internal jumper plugs for aux, direct out and other options 
Mutes on all fader masters 
100mm dust protected faders 
Assignable talkback to all outputs 
1kHz oscillator / pink noise generator with external output 
2-track monitoring and replay to LR 
3 headphones/earpiece sockets and local monitor outputs 
Electronically balanced XLR outputs with +26dBu drive capability 
Preamp 74dB range with +34dBu input capability for mic or line 
Ultra low noise mix head amp design 
Uses external linear power supply 
Built-in combiner for redundant backup supply 
Metal jacks, gold-plated XLRs, sealed pots and switches 
Individual circuit card assembly with nutted pots 
Solid copper bus bar grounding 
Sys-Link V2 console linking option 
4-pin lamp sockets


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